Seasonal decoration 'Kabuto'.

Seasonal decoration 'Kabuto' is a May doll 'Kabuto' that utilises the manufacturing techniques of the traditional craft 'Hikone Butsudan'.

It is said that around the middle of the Edo period, the lacquer craftsmen, metalworkers and Kazari metalworkers who were involved in the manufacture of armoury and weapons in Hikone turned to the manufacture of Buddhist altars, where they could utilise the same crafting techniques. Today, Hikone Butsudan altars have seven manufacturing processes, ranging from woodworking, palaces and carving, to metalworking, kazari-kinugu, and lacquerworking, lacquering, gilding and maki-e. Each of these processes is carried out by specialist craftsmen who pass on their advanced skills to the next generation. This helmet utilises six of these techniques, excluding the palace, namely woodwork, carving, Kazari-kinugu (metal ornaments), lacquering, gold leaf pressing and maki-e. These are authentic crafts that are manufactured with the craft techniques that Hikone has handed down from armour production, with particular attention paid to the craftsmanship.

In addition, as a new attempt amongst May dolls, we are also working on the directionality of regional characteristics. The design of the hoe-shaped dolls, which are made by hand by Kazari hardware makers, is based on the motif of the decorative patterns on the military banners that were handed down in the Ii family, the lords of the Hikone domain, and the patterns are applied to the hoe-shaped dolls to incorporate a 'Hikone-ness' to them. Adding directionality to objects and shapes in a wide range of situations, including industry and style, as well as regional and cultural characteristics, is what traditional crafts are good at.

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Integrated traditional materials and techniques

1. Woodworking

   Working with unfinished wood is an important initial process for creating the foundation or frame of a product.
   Woodworking at INOUE is based on the exacting quality found in the traditional arts that have been cultivated by the production of Buddhist altars in the castle town of Hikone since the Edo Period (1603-1868 CE). Craftsmen produced these altars by hand and without nails, demanding uncompromising quality in the careful selection of the best materials for use in mortise and tenon construction. These altars are durable enough to be handed down through many generations. Furthermore, we have connections with woodworking shops in other areas that specialize in mass production, allowing us to select the appropriate methods of woodworking for any project.
   

2. Lacquering

   Lacquer is Japan’s exceptionally beautiful and high-quality traditional method of finishing. It is one of the most protective coatings in existence but can be very difficult to handle. Applying lacquer evenly requires the touch of a skillful craftsman from the first coat. The lacquer must be applied in many coats, from the first coat to the final finish, and the painting and polishing processes must be repeated many times over.
   A high-gloss lacquer finish, considered the highest level of lacquer, involves the painted lacquer being polished flat, after which raw lacquer is repeatedly rubbed into the surface and polished to bring out a deep luster that is nearly mirror-like.
   Based on our extensive knowledge of producing Buddhist altars, INOUE is able to offer the appropriate lacquering methods and craftsmen capable of implementing them, from a black, high-gloss lacquer finishes to a broad range of other coatings and lacquer colors.
   

3. Maki-e

   Maki-e is an artistic lacquer technique that involves drawing pictures or patterns using lacquer and then sprinkling them with gold dust or other fine powders. Maki-e originates in Japan and is one of the unique traditional techniques developed here. Maki-e includes many subsidiary techniques, such as hiramakie, takamakie, and togidashimakie. Furthermore, maki-e includes a wide variety of different end products, such as the expression of depth through different types or sizes of gold powder and the application of a variety of processing techniques.
   At INOUE, we have built a network of maki-e craftsmen with a wide range of skills, allowing us to provide the skills needed for any project, from projects demanding the utmost quality to those needing to fit into a tight budget.
   

4. Gold plating (Hakuoshi, hakuhari, or hakuoki)

   Hakuoshi is a decorative technique for covering items with gold or silver leaf or platinum foil.
   While the material is called “gold leaf,” it includes a variety of types. These range from gold with a high degree of purity to silver admixtures that allow for an adjustment of the foil’s color. Techniques for applying the gold leaf include methods that bring out the luster of the foil as well as methods that create an elegant or refined appearance.
   At INOUE, veteran craftsmen employ a wide variety of methods for gold leaf application. We have also developed techniques for the application of gold leaf to modern materials, such as acrylic resin and glass.
   

5. Decorative fixtures (kazarikanagu)

   While various types of metal fixtures are used in the arts, metalwork that is highly decorative in nature is called kazarikanagu. Metals such as brass or copper are used to fit the objectives and location of the fixture and various techniques are employed to shape the fixture, such as zibori to give the fixture a three-dimensional feel, kebori to engrave the fixture with fine lines and details, and sukashibori to create openings and provide a sense of depth. Other fixtures can also be produced through more cost-effective methods like metal pressing, electric casting, and etching.
   We also provide the optimal techniques and decorative methods for adding finishes to kazarikanagu, such as gold plating, nickel plating or some other technique or combination thereof.
   

6. Carving

   Carving involves using a chisel or other implement to create a three-dimensional from out of stone, wood, or another material. Japan has a rich culture of working with wood as part of its traditional arts, so great attention has been paid to the development of wood carving.
   At INOUE, we can respond to any wood carving request, as we are connected to various wood carving masters of different specialties. These specialties range from plants and animals that are typically depicted along the transom of a Buddhist altar, such as the flowers and birds, to statues of the Buddha himself.
   

7. Gilding

   Gilding is a surface processing technique that involves coating a target object, either metal or a non-metal such as plastic, with another metal. In the case of Buddhist altars, brass and copper surfaces are often gilded with gold or silver.
   

8. Design of traditional arts objects

   In many ways, traditional arts objects are of an extremely high quality. However, as they are handmade, the scope of this quality differs in its conditions and limits from mass produced objects.
   At INOUE, we collaborate with designers who have a deep knowledge of the traditional arts to handle new designs. This includes adjusting a design using their knowledge of each of the arts processes involved in a project’s production. We are also happy to receive inquiries for projects that are still in the design phase.